The classic jazz turnaround — four chords that circle back to the top of a tune without ever landing.
Drop iii–VI–ii–V straight into the interactive looper, hit play, and hear the full sequence cycle.
Play iii–VI–ii–V in the Studio →A short chord sequence, usually the last two bars of a section, that leads the ear back to the beginning of the form. Instead of sitting on the tonic, the turnaround keeps the harmony moving so the repeat feels like an arrival rather than a restart.
In C major the natural vi chord is A minor. Raising its third to C sharp turns it into A7, a dominant chord that points straight at D minor. That borrowed major third is the tension that makes the turnaround feel like it is going somewhere rather than drifting.
They are the same turnaround with a different first chord. 1-6-2-5 starts squarely on the tonic, Cmaj7. 3-6-2-5 swaps in Em7, which sounds like the tonic but is lighter and less final, so the sequence feels like it never quite touches the ground.