The 1950s progression — four chords that carried doo-wop, early rock and roll, and countless ballads since.
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Drop I–vi–IV–V straight into the interactive looper, hit play, and hear the full sequence cycle.
Play I–vi–IV–V in the Studio →Because it defined the ballads and doo-wop records of the 1950s, where vocal groups stacked harmonies over this exact loop. It never went away — pop, rock, and R&B songs have used the same four chords in every decade since, usually in the same order.
Same four chords, different order. Here the minor chord comes second, right after the tonic, so the loop dips into shadow early and then brightens through IV and V. In 1-5-6-4 the minor chord lands third, after the V, which feels more like a delayed turn.
C major. C is the I, Am is the vi (the relative minor), F is the IV, and G is the V. Because all four chords belong to C major, you can play any C major scale idea over the whole loop without changing position.