The southern rock and country descent — start on the V, fall through the IV, land on home.
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Drop V–IV–I straight into the interactive looper, hit play, and hear the full sequence cycle.
Play V–IV–I in the Studio →Starting away from home creates motion from the first beat. The listener hears D as unsettled and expects a resolution, which the descent through C to G delivers within two bars. It is a way of building a hook out of the resolution itself rather than out of a melody.
They use the same three chords, but where the loop starts changes what the ear treats as the destination. 1-5-4 starts and ends around the tonic. 5-4-1 makes the tonic the final landing point of every cycle, so each repeat feels like a resolution rather than a return.
G major. The D is the V chord, the C is the IV, and G is the I — the key is defined by where the progression resolves, not by the first chord you hear. Playing a G major scale over all three chords confirms it: nothing clashes.